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	<title>Sensory Cities &#187; memory</title>
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		<title>Astrid Swenson (Brunel University): ‘In the Shadow of the Cathedral: writing sensory histories’ (video)</title>
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		<pubDate>Fri, 22 Apr 2016 18:01:58 +0000</pubDate>
		<dc:creator><![CDATA[Manuela Barz]]></dc:creator>
				<category><![CDATA[cologne]]></category>
		<category><![CDATA[Talks]]></category>
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		<category><![CDATA[brunel university]]></category>
		<category><![CDATA[eigelstein]]></category>
		<category><![CDATA[Koelnisches Stadtmuseum]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[urban design]]></category>

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		<title>Nirmal Puwar presented a paper at the Gender Recalled Conference on &#8216;Dementia, Song and the Post-War’</title>
		<link>http://www.sensorycities.com/news/nirmal-puwar-presented-a-paper-at-the-gender-recalled-conference-on-dementia-song-and-the-post-war/#utm_source=rss&#038;utm_medium=rss</link>
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		<pubDate>Wed, 01 Jul 2015 16:08:35 +0000</pubDate>
		<dc:creator><![CDATA[Manuela Barz]]></dc:creator>
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		<category><![CDATA[memory]]></category>

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		<description><![CDATA[Memory work constitutes small acts of performative and iterative forms of remembrance. Often calling on sites, events and bodies that don&#8217;t feature in established modes of remembering. These are always, however large or small, legitimate or off-centre, enacted as acts of imagination of past, present and futures. This paper will invite us to consider what [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>Memory work constitutes small acts of performative and iterative forms of remembrance. Often calling on sites, events and bodies that don&#8217;t feature in established modes of remembering. These are always, however large or small, legitimate or off-centre, enacted as acts of imagination of past, present and futures. This paper will invite us to consider what the contours of memory work are when memory itself has become a moving force, operating across intensely layered notions of time, with the onset of dementia. The discussion will be situated by discussing women&#8217;s song (namely giddha) from a post-colonial and post-war location.</p>
<p><img src="https://scontent.xx.fbcdn.net/hphotos-xta1/v/t1.0-9/11377144_1412774129047162_1855411002506906994_n.jpg?oh=543bf5eac98688477bb818472149d1aa&amp;oe=55E81121&utm_source=rss&utm_medium=rss" alt="" /></p>
<h6>Image credit: Laura Price / Geography Department of Royal Holloway</h6>
<p>Facebook: <a href="https://www.facebook.com/genderrecalled?utm_source=rss&utm_medium=rss" target="_blank">https://www.facebook.com/genderrecalled?utm_source=rss&utm_medium=rss</a><br />
Twitter: <a href="https://twitter.com/genderrecalled?utm_source=rss&utm_medium=rss" target="_blank">https://twitter.com/genderrecalled?utm_source=rss&utm_medium=rss</a></p>
<p>Dr Nirmal Puwar<br />
Reader, Sociology Dept<br />
Co-director, Methods Lab<br />
<a href="http://www.gold.ac.uk/methods-lab/?utm_source=rss&utm_medium=rss" target="_blank">http://www.gold.ac.uk/methods-lab/?utm_source=rss&utm_medium=rss</a><br />
Goldsmiths, University of London</p>
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